![]() ![]() ![]() The landscape with a delicate temple and a mythological figure on the North wall allowed to denominate this space as the “Sphinx room” (room 72/bis). Good quality white-background “fourth style” paintings cover all the visible surfaces, the remainder being filled with soil and rubble. 1), through a narrow opening in the North wall of room 72, the decorated barrel vault and back wall of another room appeared. ![]() At the beginning of 2019, while installing scaffoldings in room 72 (Fig. An interdisciplinary staff (archaeologists, architects, conservators) guarantees maintenance, safety and accessibility to the public. Domus Aurea is nowadays an extraordinary underground archaeological site in the central area of Rome, including more than 150 rooms, one third of which is open to the public, with 30,000 m 2 of painted and stuccoed surfaces, maintaining evident traces of Nero’s power and culture. Its rediscovery and exploration during the Renaissance, limited at the time to less than 15 rooms, strongly affected painters as Pinturicchio, Ghirlandaio, Raphael and Giulio Romano. The whole structure was later obliterated by the construction of Trajan’s Baths at the beginning of the second century AD. These rooms were decorated, and later abandoned, but the Esquiline wing of the Domus follows their orientation. Preexisting structures were included in the construction, such as Claudian epoch horrea (warehouses, granaries) on the slopes of the Esquiline Hill ( Oppium Mons). It was built after the fire of 64 AD by Severus and Celer, and decorated by the famous painter Fabullus ( XXXV, 120). Nero’s (37–68 AD) Domus Aurea was an enormous complex extending on the Palatine, Caelium and Esquiline hills. The results confirm the suitability of this approach for the characterization of Roman wall paintings, where both inorganic and organic materials are simultaneously present. In addition to the well-known combination of portable X-ray fluorescence and portable/laboratory Raman analyses, Infrared Fourier Transform Spectroscopy was used, both in situ (Diffuse Reflectance) and in the lab (Attenuated Total Reflectance). Furthermore, a complementary methodological strategy was designed, in order to achieve a complete characterization of the materials. Furthermore, the employ of an organic binder in some spots can be put forward based on spectroscopic results, which does not exclude a wider use of the a fresco. The palette, composed of Egyptian blue, green earths, iron- and lead-based red, orange and yellow, calcite, carbon-based black, allowed to compare the Sphinx Room to Corridor 92 and Room 114 of Domus Aurea and to other sites in Rome. The first aim was to contribute to the overall comprehension of the Domus Aurea complex and to contextualize the newly-discovered room inside this extraordinary imperial architecture by means of an archaeometrical characterisation of the painting materials. ![]() It’s packed to the brim with step-by-step guidance to achieving the look you’re going for in a way that’s safe, effective, and long-lasting.The recent discovery of the Sphinx Room, belonging to the Domus Aurea Esquiline wing, thanks to the framework given by the project “Non-destructive analytical studies at Parco Archeologico del Colosseo (Rome, Italy)”, allowed to perform an analytical campaign, both in situ and on micro-fragments. Translucent Green-Blue Speckle Over Black with Silverįor the formulas to each of these patinas and hundreds of other surface effects, grab a copy of PATINA: 300+ Coloration Effects for Jewelers and Metalsmiths. Blue-Green and Golden Brown Stipple Over Brownġ0. Green Stipple with Silver-Gray Striations ON COPPERĦ. Translucent Green with Dark Green Texture ON STAINLESS STEELģ. Here is a sampling of the amazing green patinas that can be achieved on metal: ON STEELĢ. Author Matthew Runfola has devoted much of his career to surface effects on metal and shares a wealth of knowledge on the subject in his best-selling book, PATINA. Patrick’s Day, but I can’t resist! Shades of green can contrast beautifully with a variety of metals and really POP in a finished piece. I know, it’s a wee bit cliché to talk about green patinas around St. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |